What happens to the middle of the toilet seat?
Though I have wondered many strange things in my time, this
was not a question I had ever thought to ask. But I found out anyway.
I was in the front room of
Thomas Crapper & Co in
Stratford-Upon-Avon on a sunny Wednesday afternoon. A charming wooden sign with gold lettering above the door
caught my attention.
UNACCOMPANIED CHILDREN WILL BE SOLD AS SLAVES.
Of course I had to take a picture. As I was riveted on the
sign a voice behind me said “That’s the center of the toilet seat.”
The speaker was Simon Kirby, Chairman of the company. As
with so many I have met in the industry he was incredibly pleasant and happy to
tell me all about his work. His journey started with antiques and history. As a
child, he told me his bedroom was a museum of antiques. His mother’s copy of Temples of Convenience sent the interest
in a sanitary wares direction, and he began dealing in antique fittings.
He thought of opening his own reproduction company, and
found out that Thomas Crapper and Co. was still in existence. It had been
fallow for years after having been sold to a rival company in 1963. Thanks to Simon
and a “a small band of
enthusiasts” Crapper & Co is once again an independent name, producing
reproductions of Crapper’s original designs including the pride in quality.
Quality is all important. There are plenty of replicas on
the market that take the external form and look
vintage but are, in fact, modern fittings. The vintage plumbing is only skin
deep.
In addition to the factory, Simon continues to collect, and took me on a tour of the impressive
array of pieces in his showroom.
Outside he showed me two urinals, which stand like sentinels
on either side of the door. They had the
apis (get it?) Having only seen pictures
of these particular pieces I commented that I was surprised by how low the
target was. He said “well, you’re not going to be aiming up!” Goes to show my
grasp of the mechanics of male anatomy is minimal in that respect. Probably
just as well. Although they do seem to have a lot more fun when it comes to
sanitary wares!
famous insect target: the
The discussion of lack of provision for ladies lead us to
the bookshelf, full of catalogues of the fathers of our modern toilet. Crapper,
Twyford, and even a rare Jennings. These are not your average modern day
bathroom catalogue, but large volumes of beautiful colour-print illustration.
They would have been sent to architects or perhaps those with very important
addresses. Most impressive catalogue was Twyford’s with its gold embossed
pages.
The Jennings catalogue also contained maps of the various
underground toilets he had installed. Usually there is at least twice as much
floor space allocated to men as two women, and many more toilets when you
consider that Urinals take up considerably less space.
The most amazing adventure was the upstairs store-room. The
small attic was covered in pieces of cisterns, basins, handles. He had a
chamber pot with the famous slogan “Use me well and keep me clean, and I’ll not
tell what I have seen.” and another with a caricature of Hitler printed on the
bottom. On that theme he also had some art-deco taps, which he told me had been
removed from the Savoy in the last remodel because it was felt they too closely
resembled swastikas.
A less popular invention by Thomas Crapper: the Bottom
Slapper! Today the cry of women everywhere is that men to not put the toilet
seat down. The Victorians, it seems had the opposite problem: getting men to
lift it up! (Sorry boys… you just can’t win. But give us ladies some slack: We
get few enough chances to assert our authority in matters of the loo!)
Crapper’s solution was a spring-loaded seat, which went down when sat upon, and
then returned to its upright position when done. The invention had one
unfortunate flaw. The rubber buffets on the bottom of the seat would become
tacky over time and cause it to stick to the bowl for a brief time after the
pressure had been released. This caused it to leap up and smack the bare bottom
of whatever poor soul had just finished their business.
There was a very early composting toilet: the earthenware
closet, with a wooden seat and a pan of dirt underneath.
Possibly my favorite gadget in the whole place was the
Edwardian musical loo role. Wind it up and it plays Wurlitzer’s Skaters Waltz as you dispense your
paper. That should give those Japanese toilets a run for their money any day!
Most of their sales are through agents and showrooms, so
they very rarely get to see where their toilets actually end up. They do supply
Jamie Oliver’s Italian restaurants though, with specially branded loos. They
also do restoration. They did the underground loos in Cardiff just a couple of
years ago, which are sadly currently shut (you can sign the
petition to re-open them here) Their products are good enough that they have been mistaken for
originals.
I left with a goody-bag full of treats. No toilets. But two loo rolls in wonderful boxes, a
stack of postcards, the current Crapper catalogue and two editions of Flushed
with Pride: The Story if Thomas Crapper (The original one and the updated 2010
version with an intro and epilogue by Simon himself)
In the epilogue Simon tells the story similar to the one he
told me in the show room: the childhood interest, finding out the company was
still in existence, slowly and carefully acquiring it (There are lots of juicy
details in that... but you should really read the book yourself!) Near the end he
says:
“A critic could argue that Mr. Crapper was a forward-looking inventor and we
should therefore eschew
reproductions and instead produce modern and progressive wears, but we
believe the name is now synonymous with the glories of the past. However our
long-term plans are to complete our ‘Victorian’ range, then introduce and
Edwardian-to-1920’s set, followed by a choice of 1930’s-1950’s Art Deco
fittings. After that perhaps we will give the late-twentieth-century designs a wide
berth and leap excitedly headlong into the twenty-first century with some truly
futuristic innovations. Perhaps.”
I hope they do, as I would love to see what they would come
up with. I imagine something with all the grace and beauty of Crapper’s
toilets, but an eye to the advances in sanitary reform and plumbing technology.
Or microwaves or whatever we have by then.
Having spent the last week discussing very real and often
heart-wrenching concerns about the state of toilets world-wide and focused
largely on easily implemented low-tech solutions it can sometimes be hard to
reconcile this with an interest in the luxury that is a Crapper toilet. What
are the ethics of investing in luxury when 2.5 billion people haven’t a pot to
piss in?
To me it is this: Thomas Crapper & Co. are a tribute to the
original innovators and are keeping a tradition of function and beauty alive. There
are few enough of us who are excited about toilets. Perhaps that’s one reason
we’re all so friendly: find a fellow sanitarian and it’s like long-lost-family.
Toilets like these give us one more thing to get excited about, and open up new markets of people to talk to about the subject. With so much
talk about celebrating the toilet and making toilets a sought-after item we
need our heroes! And who better to commemorate and hold up as an example of
fine plumbing than Crapper who created a brand that is widely admired and
respected one-hundred-and-fifty-three years later?